About

A woman with red hair holding a blue and white porcelain vase with text and floral patterns in a room with a framed picture on the wall and plants in the background.

Biography

Bec Wonders (b. Sweden) is a London-based ceramic artist and illustrator whose interdisciplinary practice explores the relationship between material culture and visual storytelling. Drawing on European folk art and vernacular traditions, her intricately illustrated ceramics reinterpret folklore and inherited belief systems through dark humour and historical imagery. Her work combines traditional craft techniques with a distinctive graphic sensibility informed by her background in feminist art history.

Wonders has undertaken multiple artist residencies, including at Clay Garden in Twickenham and Earthworks Ceramic Studios in London. Her work has been exhibited at Broad Street Gallery and Green & Stone Gallery, and she has received recognition through art and illustration competitions, including winning the All Points East Illustration Competition 2026. She was also selected for the New Platform Art Development Programme. Alongside her studio practice, she teaches ceramics and leads workshops in sgraffito illustration, sharing her approach to narrative decoration and traditional craft.

Her artistic practice is informed by an extensive background in historical research. Wonders earned a PhD in Feminist Print History from the Glasgow School of Art (2021) and subsequently held a Research Associate position in the Faculty of History at the University of Oxford. She has taught and lectured at institutions including Tate Britain and University College London, and her research has appeared in academic journals and edited collections.

Wonders is the founder of the independent feminist digital archive Frauenkultur and co-founder of the Vancouver Women's Library. Her illustration commissions include work for UN Women, the Friedrich Ebert Stiftung and the European Network of Migrant Women. Working multilingually in English, German and Swedish, she continues to develop an independent artistic practice that brings historical inquiry into dialogue with contemporary craft.

Artist Statement

Drawing on years spent working with archives and historical collections, I create ceramics and illustrations inspired by folklore, decorative arts and overlooked histories for people who believe the objects we live with shape the way we remember and imagine the world around us.

Before becoming an artist, I spent nearly a decade as an academic following paper trails, tracing lives preserved in letters, pamphlets and ephemeral printed matter. Handling these materials made history feel physical: to unfold a letter is to repeat a gesture last performed by someone decades before.

This way of thinking eventually led me to ceramics and illustration. If archives preserve the stories that came before us, perhaps new objects can carry something forwards. Clay, like paper, keeps a record of information and memory. My creative practice has become another kind of archive, gathering forgotten superstitions and decorative traditions from the margins of history and giving them another life in objects made to outlast me.

CV